Monday, January 13, 2014

Seatle's Top 25 Skyscrapers Part 3




Number 16, the Henry M. Jackson Federal Building (JFB) is a 37-story United States Federal Government skyscraper in downtown located at 915 2nd Avenue.  It is the building with which  I am most familiar, since I visit it twice a day when I drop off my husband who works in the building.  In noting its distinctive achitecture it spurred my interest in the other beautiful highrises that grace the streets of downtown Seattle.
The building was completed in 1974 and won the Honor Award of the American Institute of Architects in 1976.  It received its current name after the death of U.S. Senator Henry M. (Scoop) Jackson in 1983.  When it was originally built it was called the Federal Center.
Among the structures torn down to build the federal building were the Richardsonian Romanesque Burke Building (built 1889–91), the Hotel Stevens, and the Tivoli Theater, a burlesque house. It is located across from the Old Federal Building.
In 1984, the building was rededicated and named to honor Henry M. "Scoop" Jackson (1912-1983), a Democratic U.S. Congressman and Senator who is best remembered for contributing to and guiding environmental legislation, including the National Environmental Policy Act of 1969. He also championed the protection and expansion of national parks and wilderness areas.
The Henry M. Jackson Federal Building is a striking 37-story tower located within the Pioneer Square Commercial Business District on the block bounded by First and Second avenues and Madison and Marian streets. The parcel of land is steep and slopes toward the waterfront and piers of Elliott Bay on Puget Sound. 
1898 Photo of Burke bldg, property of MOHAI
The site is the original location of the Romanesque Revival style Burke Building (1889-1891), which was constructed in the aftermath of the Great Seattle Fire. Local preservationists lobbied against the government's 1971 demolition of the Burke Building, which cleared the site for the new office tower. Although the project proceeded as planned, the architects incorporated architectural fragments of the landmark building into their design. 
Elements such as the Romanesque entry arch, which is part of the landscaped plaza on Second Avenue, represent a compromise that, though not prevalent today, was often employed in the early years of the historic preservation movement.
Romanesque Entry arch from Burke building
The footprint of the monolithic building is square; however, the corners are all clipped, resulting in a less angular form on the skyline. The steel-frame building is clad in pre-cast concrete with prominent vertical members and recessed windows that emphasize the height of the structure. Arched entrance arcades on the federal building allude to the Romanesque entry of the Burke Building. The building's elevations are symmetrical and maintain a consistent geometric rhythm. Twelve stories from the street, a band of concrete panels with honeycomb patterns adorns the building. The building has a solid concrete cornice around the top perimeter. A metal-clad hipped roof form, unusual for high-rise designs of this era, adds a decorative finish to the tower.
The interior entrance lobby features brick walls with patterned brick accents. Octagonal projecting teak light fixtures adorn the ceiling. Interior columns are covered with precast concrete panels similar to those used on the exterior. The elevator lobby walls are also clad in brick and teak strips cover the ceiling. The cafeteria entrance incorporates fragments from the Romanesque arched openings of the Burke Building. Although some open plan office space has been partitioned, the building appears much as it did upon completion in 1974.
The landscaped plaza is located along Second Avenue with stepped terraces sloping down toward First Avenue. It is clad primarily in brick with a series of steps and seating areas. Art is an integral component of the Jackson Federal Building. Isamu Noguchi's Landscape of Time (1975) is an outstanding five-piece sculptural grouping carved out of pink Japanese granite boulders. Despite its location in a busy public area, the sculpture establishes a quiet contemplative retreat that beckons those passing by to enter the space and sit amidst nature. Philip McCracken's cast-bronze sculpture, Freedom (1976) depicts a bird breaking free from the bars of its cage. Harold Balazs, Jr. created Seattle Project (1976), an abstract welded copper sculpture. Its interlocking geometric shapes respond to the simple modernist forms of the Jackson Federal Building.
1st Ave Balazs scultpture

In 2005, the cafeteria was redesigned to improve services. The following year, a $36 million renovation to the building included seismic strengthening and mechanical system and elevator upgrades. The main entrances on First and Second avenues were modified as part of the U.S. General Services Administration's First Impressions program. The goal of the program is to improve the entrance experience of federal buildings for both tenants and visitors. On First Avenue, the project introduced a glass entry pavilion to accommodate new security features while admitting natural light into the building.

 




This is my favorite view along Second Avenue.  I see it in my rear view mirror each afternoon I travel south on Second to make the turn on Columbia and go to First to the Federal Building to pick up my husband.  The circuitous route is due to the one way streets on Second and Marion.  Note the Space Needle in the background.


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